A jester who has to offer a joke explanation when his audience do not understand is a sad figure of fun. He will appear either pathetic or absurd as he fumbles to explain himself. However, the fault can easily be on the side of the audience rather than the joker. Some sober minded people do not understand humor. Their lives can be enriched if they learn to laugh. They could seek online help to learn how to better understand humor.
Some people can tell jokes and others not. A very clever and cultivated person may be a dunce at telling jokes whereas an unlettered buffoon may be an expert. The same narrative can be a brilliant success when told by one and a dismal failure when narrated by the other. However, as in most communicative acts, the receiver has a role to play in the process.
Groups of people often coalesce around common interests or activities. When five people have knowledge of one person's idiosyncrasies they might find it amusing to hear allusions to the odd things about one group member and laugh uproariously. A stranger in the group who does not follow the allusion will be nonplussed. Perhaps a beautiful person will draw near and explain the allusion, to the stranger so demonstrating tact, compassion and social perfection.
The luxury of small group allusions are not open to professional comedians who play to large audiences. They must use allusions that are known to the general public. Unfortunately some of them resort to vulgarity or artificial laughter that is produced by a recorder or producer who gestures to tame audiences so that they laugh on cue.
Much that passes for humor in popular culture is merely coarse banality and not at all amusing. No explanations are possible because there is nothing to explain. Fortunately, true wit and humor is collected and preserved in writing. Whilst the works of Shakespeare, Samuel Johnson and Oscar Wilde exist there are resources and they may be added to, equaled and used as points of reference.
There is an anatomy of humor that can be understood. Rhetorical devices such as hyperbole, bathos, malapropisms and litotes are the anatomical features of humor. Wit, irony and timing are the flesh and blood that fills out the framework bringing humor to life.
When confronted by the Marquess of Queensberry with a bunch of rotting vegetables that were thrust in his face Oscar Wilde retorted, 'Thank you sir. Whenever I smell these I will think of you.' This demonstrates what wit is. It is quick, sharp and keen as a wild thing.
Society is in the process of organizing itself around the Internet and there is a great deal of information available to all people. Even a joke explanation can be had online when one does not understand. In this way education is transformed and society benefits from higher standards of humor. When humor is explained understanding of the principles behind jokes leads to a nice understanding of humor so that amusement is derived from words even when it may not be intended.
Some people can tell jokes and others not. A very clever and cultivated person may be a dunce at telling jokes whereas an unlettered buffoon may be an expert. The same narrative can be a brilliant success when told by one and a dismal failure when narrated by the other. However, as in most communicative acts, the receiver has a role to play in the process.
Groups of people often coalesce around common interests or activities. When five people have knowledge of one person's idiosyncrasies they might find it amusing to hear allusions to the odd things about one group member and laugh uproariously. A stranger in the group who does not follow the allusion will be nonplussed. Perhaps a beautiful person will draw near and explain the allusion, to the stranger so demonstrating tact, compassion and social perfection.
The luxury of small group allusions are not open to professional comedians who play to large audiences. They must use allusions that are known to the general public. Unfortunately some of them resort to vulgarity or artificial laughter that is produced by a recorder or producer who gestures to tame audiences so that they laugh on cue.
Much that passes for humor in popular culture is merely coarse banality and not at all amusing. No explanations are possible because there is nothing to explain. Fortunately, true wit and humor is collected and preserved in writing. Whilst the works of Shakespeare, Samuel Johnson and Oscar Wilde exist there are resources and they may be added to, equaled and used as points of reference.
There is an anatomy of humor that can be understood. Rhetorical devices such as hyperbole, bathos, malapropisms and litotes are the anatomical features of humor. Wit, irony and timing are the flesh and blood that fills out the framework bringing humor to life.
When confronted by the Marquess of Queensberry with a bunch of rotting vegetables that were thrust in his face Oscar Wilde retorted, 'Thank you sir. Whenever I smell these I will think of you.' This demonstrates what wit is. It is quick, sharp and keen as a wild thing.
Society is in the process of organizing itself around the Internet and there is a great deal of information available to all people. Even a joke explanation can be had online when one does not understand. In this way education is transformed and society benefits from higher standards of humor. When humor is explained understanding of the principles behind jokes leads to a nice understanding of humor so that amusement is derived from words even when it may not be intended.
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